|Lecolion Washington, Jr. joined the Rudi E. Scheidt School of Music faculty at the University of Memphis in the fall of 2004. He is the bassoonist of the Memphis Woodwind Quintet and he serves as the co-coordinator of the University of Memphis annual double reed festival. Prior to joining the University of Memphis faculty, he was the bassoon professor at the University of Missouri-Columbia. Washington enjoys the versatility that he has as a performer. Based on auditions Washington has been offered positions with the Houston Grand Opera, the Shanghai Broadcasting Orchestra, and the Victoria (TX) Symphony Orchestra where he spent 3 seasons as assistant principal bassoon including one season as acting principal. Washington also served three seasons as co-principal bassoon of the Missouri Chamber Orchestra. He currently performs regularly with the Memphis Symphony Orchestra and the Iris Chamber Orchestra, and he has served as guest principal bassoon with the Arkansas Symphony and the Reno Philharmonic.
Washington has performed chamber music with principal players from such orchestras as the New York Philharmonic, the Minnesota Orchestra, and the Orpheus Chamber Orchestra. He has performed with the New York Chamber Ensemble and the North Country Chamber Players, and in 2004 the Orchestral Performance Program at the Manhattan School of Music invited him to perform on a chamber music concert of distinguished alumni. Washington serves on the faculty of the Stellenbosch International Chamber Music Festival in South Africa where he performs, coaches chamber music, and teaches masterclasses along with distinguished faculty from all over the world.
As a soloist Washington has performed concerti with the Round Top Festival Orchestra, the Meadows Symphony Orchestra at Southern Methodist University, the University of Memphis Wind Ensemble, and the University of Memphis Symphony Orchestra. Professor Washington has given recitals and master classes at schools around the country including the Eastman School of Music, the University of Missouri-Kansas City Conservatory of Music, the University of North Texas, and the University of Texas at Austin. He gave a lecture-recital on music for bassoon by African-American composers at the 2007 National Association for the Study and Performance of African American Music Conference, and he has performed at International Double Reed Conferences in 2005 and 2007. Washington attended the Texas Music Festival, the Cape May Music Festival, and the International Festival Institute at Round Top. He is married to Swedish clarinetist, Carina Nyberg Washington. In 2008 he released a CD of music for the bassoon by African-American composers on the Albany Records label which was recorded using a Fox 660.
|Swedish clarinetist, Carina Nyberg Washington, received her Diploma in Orchestral Performance from the Royal Danish Academy of Music and her MM in Performance from the University of Memphis. Her principal teachers have included Michael Schlyter, Bendt Neuchs Sorensen, Jorgen Jensen, Lee Morgan, Daniel Gilbert, and James Gholson.
While in Scandinavia, Washington was a freelance musician performing with such groups as the Danish Radio Symphony Orchestra, the Danish Philharmonic, the Copenhagen Cantata Orchestra, and the Norwegian State Army Band. Before moving to the United States in 2003, Washington served as co-principal clarinet with the Danish Radio Sinfonietta. With them, Washington performed on several recordings and performed at the 2002 Cannes Film Festival.
After moving to America, Washington served two seasons as co-principal clarinetist of the Missouri Chamber Orchestra and currently performs regularly with the Memphis Symphony Orchestra and the Eroica Ensemble. She has performed under the baton of such conductors as Curt Sanderling, Christopher Hogwood, and Richard Spano.
As a chamber musician, Washington has participated in chamber music concerts throughout Europe and North America including venues in Paris, Stockholm, and Oslo. She has co-founded several chamber groups including the PRIZM Ensemble of Memphis. Washington recently joined the Memphis Woodwind Quintet.
Washington has attended the International Festival Institute at Round Top, Texas, Thy Chamber Music Festival (Denmark), and traveled throughout Germany and Holland as the principal clarinetist of the Jeunesses Musicales World Orchestra. As a soloist, Carina Washington has performed with the University of Memphis Symphony Orchestra and with the Södra Latin Symphony, Stockholm, as well as with the recently formed Wolf River Chamber Orchestra of Memphis. She has performed recitals across the United States and has given master classes at the University of Arkansas and Arkansas Tech. Washington has also been on the faculty at Camp Encore-Coda, Main.
Washington has been awarded such prizes as the Lilla Alfvén Prize, Jacob Gades Stipend, Augustinus Fonden Grant, and the Månssons Legat Grant. She has performed at the 2008 International Clarinet Association (ICA) Annual Clarinet Fest in Kansas City, MO, and serve as faculty and artist at the International Chamber Music Festival in Stellenbosch, Southafrica.
She can be heard on the Albany Records recording of music for bassoon by African-American composers featuring bassoonist Lecolion Washington, and on the Highwater Classics recording of German Lieder featuring soprano Susan Owen-Leinert.
|Timothy Shiu, Assistant Professor of Violin at the University of memphis and a member of the Ceruti String Quartet, received his principal training from the Juilliard School, the Peabody Conservatory, the Cleveland Institute of Music, and Yale University, where he graduated summa cum laude with a B.A. in English. Mr. Shiu brings together in his artistry a diverse lineage of influences from his various principal mentors. As a result of his early formative years of study with Louise Behrend, he traces a line through her teacher, Louis Persinger, to the Franco-Belgian school of Eugène Ysaÿe. In addition, his work under the tutelage of Donald Weilerstein connects him to the highly influential school of Ivan Galamian and Dorothy Delay. Further study with Victor Danchenko has brought him into contact with the Russian school of David Oistrakh. Other major teachers include Sindey Harth and the late Joseph Fuchs, who himself was a pupil of the legendary Franz Kneisel.
An active recitalist and chamber musician, Mr. Shiu has concertized extensively throughout the United States in venues including Lincoln Center's Alice Tully Hall, the Kennedy Center's Terrace Theater, the Aspen Music Festival's Harris Hall, the Interlochen Arts Institute's Corson Auditorium, the New School's Schneider Concert Series, and Chamber Music Northwest. International engagements have included performances in Italy, Japan, Korea, Canada, and Brazil. Mr. Shiu is currently a member of the Ceruti String Quartet and was also previously a founding member of the Maia Quartet, with whom he played for thirteen years. In addition, he has collaborated with members of the Guarneri, Muir, and Borromeo String Quartets, as well as with violist Roger Chase, cellist Patrick Demenga, pianist Ann Schein, and the late flutist Samuel Baron.
Mr. Shiu has previously taught on the faculties of the University of Iowa School of Music and the Peabody Conservatory; and his current summer teaching engagements include the Interlochen (MI) Arts Institute and the Five Seasons Music Festival (Cedar Rapids, IA), of which he is a founding member. He was formerly Coordinator of the Summer Chamber Music Fellowship Program the Garth Newel Music Center (Warm Springs, VA), and has taught as well at the Austin (TX) Chamber Music Festival, Conservatory Music in the Mountains (Durango, CO), the South Carolina Governor's School for the Arts, and the Snowmass (CO) and University of Memphis Suzuki Institutes.
|Anthony Gilbert is a violist from Memphis, TN. He studied music at Oberlin College, graduating in 2001, and received his M.A. from Roosevelt University, Chicago College of Performing Arts in 2003. While in Chicago, Anthony acted as Co-Principal Viola of The Civic Orchestra of Chicago and was a member of the faculty at Northeastern Illinois University and the Merit School of Music. From 2007 to 2011, Anthony served as Executive Director of the Eroica Ensemble -- a performing group based in Memphis that celebrates the distinctive value of classical music in contemporary society and offers engaging concerts to the public free of charge. As a chamber musician, Anthony performs regularly with the PRIZM Ensemble of Memphis and in recent years has played at summer music festivals in Steamboat Springs, Colorado; Garth Newel Music Center, Virginia; and Kazusa, Japan.
|Iren Zombor is a native of Miskolc, Hungary. After attending music college in her hometown, she lived in Bratislava, Slovakia for two years, where she studied with the famous Slovak cellist, Joseph Podhoransky. She received her Masters of Music degree in cello performance from the University of Massachusetts at Amherst. She has been the member of the Memphis symphony Orchestra since the fall of 1996, where she currently holds the Assistant Principal Cello position.
Ms. Zombor has performed around the world with various orchestras as far as Eastern and Western Europe and Japan. In addition to her busy performance schedule, her passion has long been private teaching. She has taught students of all ages at all levels. She has been on the Rhodes College faculty since 2004.
|Daniel Gilbert is a professional violinist in the Memphis area. He plays regularly with Prizm Ensemble, Luna Nova, at the Orpheum Theater, and teaches at Bellevue School of the Performing Arts. He has appeared as concertmaster of the University of Memphis Orchestra, the Masterworks Festival Orchestra, the Corinth (MS) Orchestra and as both concertmaster and soloist with the Bellevue Baptist Church Orchestra, the Delta Symphony Orchestra in Jonesboro, and Eroica Ensemble. Daniel is married to Lori, also a violinist, and they have one son, Isai.
|Dan Phillips, Associate Professor of Horn and Theory, joined The University of Memphis faculty in the fall of 1999. In addition to teaching duties, he plays in the Memphis Brass Quintet, the Memphis Woodwind Quintet and the Birth of the Cool Ensemble, all faculty ensembles in residence at the University. He holds degrees in horn performance from Michigan State University and the University of Notre Dame and has done additional graduate study at Indiana University.
His background as a hornist includes extensive experience in solo, chamber ensemble, symphonic, studio and operatic idioms throughout the US and in Europe, Brazil and Japan. Mr. Phillips has a broad background as a conductor, arranger, and teacher. He served three terms as Visiting Professor at Southern Illinois University's campus in Nakajo, Japan; and in the spring of 1992, he was an Artist-in-Residence at the Latvian Music Academy in Riga. He is webmaster for the International Horn Society.